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Walking activates brain regions tied to creativity and problem-solving. Taking a breather is neurological priming, not procrastination. Even a short stroll can boost “divergent thinking,” the brain’s ability to generate multiple solutions or ideas.
In one Stanford study,* participants increased their creative output by an average of 60% while walking compared to when they were sitting.
* Susan Biali Haas, M.D., Psychology Today, “Taking a Walk Will Boost Your Creativity and Problem-Solving,” Jan 2019.
Explain your story aloud to the nearest cat, dog, or potted plant. They won’t criticize, and as you speak, you’re likely to hear what’s missing. If not, end your monologue with a question: “What’s next?” A cat or dog may suggest kibble. If so, next time, try talking to a plant.
A doodle or sketch can unlock tone, pacing, and the emotion of the moment. CAUTION: There’s no need to detour into the land of detailed storyboarding.
You’re the producer, and the director (also you) needs only a sheet of paper with stick figures for your characters. Draw a box behind them to show where they’ve been, and another ahead to show where they’re going. Then say, “Action!” and write the scene.
An outline is more than a planning tool. It can be your map across or around Writer’s Block Mountain. If you choose to navigate that mountain, let your outline show what’s next. Consult it, then consider how to fill in the distance.
Still stymied? Jump ahead to another section. As you write from there, missing story beats are likely to surface. At some point, you can circle back to where you’ve been. You may find that the mountain has weathered away, leaving a gap that’s easier to cross.
Second Eyes Editorial critique strengthens and extends your rescue ropes: outlines, synopses, and the premise and theme statements that support them. We’re here to encourage and guide you throughout your Author’s Journey.
In his tech writing work, George created a chest-high stack of unattributed training and computer manuals for Walt Disney World Co and in consulting assignments across the eastern U.S. He also wrote and published fiction and nonfiction books.
George holds a Poynter ACES Editing certificate. He founded and is Editorial Guide at Second Eyes Editorial.
